Advanced topics in computer music selected from such subjects as: analysis, theory and aesthetics of electroacoustic repertoire, computer programming and software design, interactivity, performance practice and interpretation, sound morphology, sound spatialization, sound synthesis, soundscape studies, tele-media. Also known as: (formerly Music Theory and Composition 685)
This course may be repeated for credit.
Sections
| LEC 1 | T 09:00 - 11:45
| | Laurie Radford | | Outline |
| Notes: The course will explore a variety of approaches and technologies involved in live electronic music performance. The course will develop skills in the design of software and control systems for live signal processing of acoustic instruments, laptop/electronic instrument ensembles, as well as the use of live-coding for prescribed and improvisatory performances and collaborations. |
This course will be offered next in
Fall 2020.